In the winter we often spend our evenings sitting in front of the wood-burning stove, which happens to be in the hallway. The kitchen is open-plan and this is what I see from my fireside chair when I turn to the right. The corner of the kitchen is under the stairs. The basket I use for the market hangs from a nail banged into the underside of the stairs. There is also a sprig of dried sage tied with a red ribbon.
This sketch is intended as a slice of life rather than a still life, so nothing is arranged. The worktop is a post-cooking jumble of pan lids, steaming pot, etc. The fridge magnet is an Aboriginal art style dolphin I've had for years.
Like most cats, Bella has various favourite sleeping places. Last week her preference was for the sofa, before that it was Simon's piano carrying bag and now it's a cushion on a dining chair.
'Aller au fil de l'eau' means to go with the flow. It is also, appropriately, the name of the café in the small French village where I live. On the terrace, the atmosphere is relaxed, life seems to mosey along no faster than the river that slips lazily by. In spring and early summer, conversations are often accompanied by a chorus of croaking frogs. Creating this blog is some kind of commitment to take brush or pen or pencil in hand every day and make art. As Julia Cameron says: "...creativity is not a marathon event that we must gird ourselves for, whacking off great swaths of life as we know it to make room for it. Creativity is not aberrant, not dramatic, not dangerous. If anything, it is the pent-up energy of not using our creativity that feels that way". Not making art is like trying to stop the flow of the river. I surrender to the flow and watch where it takes me.