Potasse d'Alsace

Now we are well into November, there are not many minutes of daylight left for my weekly sketching slot while my daughter is at dance class. Tonight I took a wander over the footbridge in Espéraza and noticed what I presume is an old agricultural merchants building with a faded Potasse d'Alsace logo with its stork emblem painted on the facade. The light was fading fast but I just had time to get down the pen drawing. The colour was added at home with Derwent coloured pencils.

Simon's Boots

Proud of myself for taking advantage of an odd ten minutes, while my husband was getting ready for the market, to sketch his boots, just where they lay, nonchalantly discarded in the hallway when he came in from a gig last night.

Pilot marker coloured later with Derwent watercolour pencils.

Sunday Sketches

Sunday in the Haute Vallée is market day. Just like in the old days, people flock to Espéraza from the surrounding villages, to buy fresh produce and catch up with friends. Today, the day before Halloween, there was a calm, unhurried atmosphere and the sun shone, though more softly than in the heat of summer. For the first time in the seven years I have been coming to this market, I dared to sit sketching amid all the activity. 

   

In the afternoon, it was still warm enough to sit on the bench opposite Fa café and do a watercolour sketch. The parasols are folded down for the winter now and the trees on the hillside behind are just starting to turn colour.

Riverside Houses

My regular Tuesday evening sketching hour this week found me down by the river Aude in Quillan. I sat on a bench and drew the houses on the opposite side of the river. It was probably the last opportunity I will get this year to sketch outside while my daughter is at dance class. It had been a glorious day but the sun had already sunk below the mountain by the time I started and there was a definite autumn nip in the air. On one of the balconies, a man sat sipping his aperitif and was briefly joined by his wife before they both withdrew into the warmly glowing interior of their home. A faint whiff of wood smoke from the first fires of the season hung on the air.        

No Entry

This month's Virtual Paintout took me, via Google Street View, to Sardinia which, like last month's location New Orleans, abounds with the colourful facades and wrought iron balconies I am so fond of painting. What really interests me is the shadows, their shapes and tones. Edward Hopper said: "Maybe I am not very human. What I wanted to do was to paint sunlight on the side of a house". I feel very much the same.

Quillan rooftops

Found a great viewpoint for my sketching this evening: Quillan castle, high on the hill where you can look down on the red rooftops and the Aude river flowing through.

The Big Easy

Having visited New Orleans years ago, I was inspired to participate in this month's Virtual Paintout, an online art challenge hosted by American artist Bill Guffey. The idea is to cruise around the month's featured city in Google Street View and paint a scene that takes your fancy. The view I chose reflects my enjoyment of the architecture of The Big Easy, with its wrought-iron balconies and colourful facades, and the interplay of light and shadow.